Our Work

What the library is made of

22 finished pieces, and they are not 22 versions of the same thing. 13 brand film · 2 promo · 2 explainer · 1 ad creative · 6 data video · 3 logo & ident · 2 brand kit · 1 key art · 1 motion ident. A piece can count in more than one column — an identity engagement that ships a film, a mark and a brand book is one project and three deliverables, which is exactly the point of building them from one token source.

The data-driven work is the specialty, and it is where the studio's one real film client started: Pulse Mortgage received Pulse — Market Update and a brand promo — one engagement, and it lands in three of the columns above. How a data-driven film is built, stage by stage walks that pipeline from your figures to the delivered cut. The identity work — AËR (Concept) and RELAY (Concept) — is where a film, a mark and a full brand book come out of one source, the same way the studio runs its own identity system.

The worlds these were built in

Filter the wall above by domain and the range stops being a claim. 7 of them have more than one piece behind them:

• SaaS & tech — Brand and explainer films cut to an enterprise ceiling. 7 pieces, including The Dispatch (Concept).
• Finance — Premium, restrained brand work and data stories built exactly from the figures supplied. 5 pieces, including Pulse Mortgage, and this one has a page of its own — how the studio makes finance and fintech video.
• DTC & e-commerce — Hero films and social cuts built for the consumer-brand register. 4 pieces, including AËR (Concept).
• Real estate — Market data, maps and listings that move — built to survive a compliance read. 4 pieces, including Pulse Mortgage.
• Luxury — Macro detail, true 3D and precision-instrument product reveals. 3 pieces, including AËR (Concept).
• Food & beverage — Open-fire, tactile hospitality and product films. 2 pieces, including EMBER HOUR (Concept).
• Local & service — Vertical-first promos for local and service businesses. 2 pieces, including Index Card (Concept).

We have made one self-initiated piece each in craft & maker, space & deep-tech, games, streaming & doc so far — one piece is a proof of craft, not a practice, and we would rather say so than build a page pretending otherwise. The engine is domain-agnostic by construction: a film is composed from your material and your data, so the subject is an input rather than something we have to have shot before. What the wall above proves is not that we have filmed your industry — it is that 11 genuinely different worlds came out of one studio without any two of them looking alike.

One production, every format

Most studios re-edit a landscape film to make a vertical one, and it shows — the crop fights the composition. Here every format is composed at its own ratio from the same build, so the 9:16 is not a cropped 16:9. Across the library: 19 pieces at 16:9 · 6 pieces at 9:16 · 4 pieces at 1:1. Filter by format above to see them side by side, or open Index Card (Concept) — one composition, fanned out deterministically across every city in the data.

What every piece here has in common

No frame on this page was AI-generated. Not the footage, not the type, not the transitions — every one was built in code and rendered, which is why changing one number re-renders the film instead of re-prompting it from scratch. That is the anti-claim the studio is built on, and it is hard to copy without an engine behind it.

It is also why the labels on this wall are worth reading. 2 pieces are real, named client work, both for our real film client; the other 20 are self-initiated studio pieces for brands that do not exist, and every one of those carries "(Concept)" in its name. Not only on the card, where it is easy: an invented brand does not reach a browser tab, a link preview or a screen reader without the qualifier arriving with it. Check any of them. Blurring that line is how a studio sells you borrowed confidence. Who actually builds these is one page, and it is one person.

Where to go from here

Every piece above has its own page with the brief, the technique and the related work beside it — that is the fastest way to see how a project of this shape would actually run. From there: what the studio makes and how a project runs covers scope, ownership and pricing method with no bands and no calculator, and the field notes are where the engineering behind the craft gets written down. When there is a real project, tell us what you are making — it goes to the founder directly.